It’s about time to expand my life-experience once again, this time by making a three-week journey through Morocco. I hope to get this blog on the right track again when back home at the end of August. Stay tuned!

%2520(3).jpg)

1. The Hex Dispensers (May 23 - Pit's)
Alex Cuervo at the Pit’s was like a wet dream coming true. Expectations were very high but the Hex Dispensers left the competition far behind with songs that borrow a lot from The Wipers and Ramones but still do stand on their own. An adrenaline shot from some of the nicest people you could ever meet! Click here if you don't believe me.
2. Toby Dammit w/ Jessie Evans (April 3 - N9)
I haven’t seen or heard anything quite like this: sax player and extravaganza Goddess Jessie Evans w/ drummer Toby Dammit mixed afro beat with no wave and spiced the whole thing up with Brazilian and Mexican sounds. Awesome!
3. Haunted George (May 15 - Pit's)
Despite his ghoulish lyrics and primitive music, Haunted George turned out to be a real gentleman who knows how to boogie. It ain’t a thing if it ain’t got that swing!
4. The Seatsniffers (May 16 - N9)
Belgium’s best live band has just released their seventh album and this release show was another tour-de-force. Great cover of Alex Chilton’s Bangkok too!
5. Carbonas (April 9 - Pit's)
Full-throttle punkrock by a bunch of cool dudes from Atlanta. The day after, Carbonas paid a visit to the Westvleteren abbey and flew home with a couple of six packs from the brewery. My kinda guys!
6. Whiskey Daredevils (May 12 - 't Schransken)
Out of the ashes of the Cowslingers and still a great mix between punk rock and country. A funny band to watch too!






Go to http://www.fabchannel.com/ and typ 'CAROLINA CHOCOLATE DROPS' to see the live show from Paradiso, Amsterdam from 18-03-2008. Thanks to my pal FILIP for the tip!
Gee I’m getting old! This video was taken near my hometown at the Democrazy in Ghent in 1993. All the interesting guitarbands from the 80’s – early 90’s used to play at the Democrazy (Screaming Trees, Nirvana, Killdozer, Jesus Lizard, Thin White Rope, etc) and this club almost became my second home. I still think the first Muffs album is a killer album but all I remember from this show is that Kim Shattuck looked damn hot in that cool red dress!






The Magic Mountain - THOMAS MANN
The best book a good pal of mine has ever read. And it seems that he's not the only one who thinks that this is one of the best novels ever written.
Confessions of a Citizen - SÁNDOR MÁRAI
Sándor Márai has become one of my all-time favorite writers and this book has just been translated into Dutch.
Donau - CLAUDE MAGRIS
Subtitled "A Sentimental Journey from the Source to the Black Sea", this book has been written back in 1986 and is part history, part philosophy, part travelogue. I also heard that it's above all, literature in the richest sense!
The Wind-Up Bird Chronicle - HARUKI MURAKAMI
Believe it or not, I still haven't read a single Murakami note. This is going to change very soon...
Kaputt - CURZIO MALAPARTE
On the cover of this new Dutch edition, a well-known Belgian writer states that what Célines' "Journey to the End of the Night" means to WOI, Curzio Malaparte's "Kaputt" means to WOII. "An unforgettable masterpiece from a European master." This makes me very curious about this book from 1944.
De Russische regisseur Aleksandr Sokoerov, te
gast op het festival vanwege de vertoning van
zijn nieuwste film Alexandra, laakte gisteren tijdens
een gesprek met de Nederlandse filmmaker
Jos Stelling het niveau van de filmkunst. ‘De literatuur
is een onvergelijkbaar grotere kunstvorm
dan de cinema. Cinema is een zwakke, onderontwikkelde
kunstvorm. Als ik in mijn studeerkamer
zit, zie ik in de boekenkast het werk van
Tolstoj en Dickens. De films van Eisenstein
komen daar niet bij in de buurt. Artistiek, intellectueel
en ethisch bevindt de cinema zich nog
absoluut niet op dat niveau. We moeten veel beter
worden voordat de eerste films op de laagste
plank van die boekenkast belanden.’ Een filmregisseur
is volgens Sokoerov een dief van andere
kunsten en weet nauwelijks de eigen kracht van
het medium te gebruiken. ‘We stelen beeld van
de schilder, geluid van de componist en teksten
van de schrijver.’ Toch kan de filmmaker volgens
hem iets wat de schrijver niet kan. 'Cinema gaat
om het creëren van sfeer. Een schrijver, ook grote
sfeerscheppers als William Faulkner en Thomas
Mann, moet altijd ergens ophouden met beschrijven.
Er blijft altijd iets te raden over. Een film
toont alles en dat moet de regisseur naar zijn hand
zetten.’ Maar ook hierover had de goedgemutste
Rus slecht nieuws. ‘We kunnen studenten op de
filmschool alles leren, maar niet het creëren van
sfeer. Sommigen kunnen het, anderen niet.’


The Summer Solstice (China, 2007)
Remote Access (Russia, 2004) (from Svetlana Proskurina, one of the 3 film makers in focus)
The Rebirth (Japan, 2007) (from Kobayashi Masahiro, another film maker in focus this year)
Le Ballon Rouge (France, 1956)
Le Voyage du Ballon Rouge (Taiwan, 2007) (the new Hou Hsiao-hsien and a bit of a letdown I heard :-()
English, August (India, 2004)
Les Amours d’Astrée et de Celadon (France, 2007)
Pure Coolness (Kazakhstan/Kyrgyzstan, 2007)
The Best of Times (Russia, 2007)
The Man From London (Hungary, 2007) (the new Béla Tarr!!)
Sztuczki (Poland, 2007)
Allein in vier Wänden (Germany, 2007)
Own Death (Hungary, 2007)
Autumn Ball (Estland, 2007)
Wanda (USA, 1970) (cult film, read more about it here)
Sad Vacation (Japan, 1970) (from Aoyama Shinji, maker of the brilliant Eureka)
Life Track (China, 2007)
Recycle (Jordan, 2007)
La Graine et le Mulet (France, 2007) (very curious about this one!)
At the Beach (China, 1984)
Black Snow (China, 1989) (both from the Cinema Regaines section which dives into the history of cinema and this year focuses on the Fourth Generation filmmakers from China (1978-1989)
