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The new Sean Penn movie INTO THE WILD is a wonderful movie about escapism and introspection. It's a screen adaptation of Jon Krakauer's bestseller "Into the Wild" which chronicles the real-life adventures of a middle-class college graduate who leaves everything behind and pursues a romantic freedom fueled by the writings of Tolstoy, Thoreau and Jack London. His goal is to live in complete isolation in the Alaskan wilderness. Unfortunately, his ultimate freedom ended in 1992 with food poisoning and starvation.
Unlike the wacko bear freak in Werner Herzog's GRIZZLY MAN, 22-year-old Christopher McCandless - now calling himself "Alexander Supertramp" - stays in touch with people by living off the land and taking pickup jobs. During these genuine encounters with people, Penn never overwhelms us with new age spirituality but instead, he puts Alexander's ramblings in perspective. The guy however is determined about this quest for freedom and constantly secludes himself from people in an abandoned bus in the wilderness.
His motives become clear through his sister's voiceover narration about their parents' sad marriage. His seclusion is an act of revenge against his parents. But in the end, on his deathbed, one thing becomes clear for Alexander: "Happiness is only real when shared". A powerful and cathartic climax.
The lengthy picture (147 min.) never feels overlong and although I didn't really like the bombastic Eddie Vedder songs, I still think that INTO THE WILD is an inspiring and fascinating film that demands viewing on the big screen.
Tomorrow, I hope to make some time for the Coen brothers’ adaptation of Cormac McCarthy’s NO COUNTRY FOR OLD MEN. After South Korea, Argentina and Romania, it looks like America is delivering the best movies these days…
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